I was recently asked a series of questions by a reporter who had some misconceptions about stage combat. A few of them were variants on: How do you and your students rank internationally? Rank? Well, obviously we think we're the best in the world! I first challenged the idea that stage combat schools and stunt…
I know an upcoming movie with that theme! Not Thor 2 Although it may be tempting to Ricochet the trailer for Thor 2: The Dark World (2013) with references to Thor (2011) and the changes to story or crew that may make the sequel better or worse, but I just don't care. Instead I'm aiming…
If your company has not budgeted sufficiently for fight direction, then you will necessarily have poor stage combat. If you have allocated no budget at all, you have no fights. Some companies try to get around this by finding a volunteer fight choreographer or a cast member who has taken a workshop one time, but…
There's been a lot of news in the world of Canadian Stage Combat in the past week, so here's what's worth noting. In proper news style, here's a rundown of the headlines: No 2013 Nationals Montreal Regionals Casey's Youth Class Rapier Wit Motion Capture Vancouver Certification Intensive No 2013 Nationals Nationals is cancelled. Paul Gelineau,…
Fight scenes are first of all scenes, and we'd all prefer to act in well-written and exciting plays. Here's a selection of plays that have fight scenes, in no particular order. And it's certainly not exhaustive. They're not categorized by weapon, since you can often substitute weapons without ruining the meaning of the conflict. I…
A recent article in the Vancouver Sun has brought a often discussed issue to the forefront again: Can I carry a sword or bow to class on public transit, or for that matter down the street in Vancouver? The short answer is "yes" but there are some nuances to be aware of and a few…
Read More... from Advice for Having Swords and Bows in Public
I have been musing for the last year or so about the Art of Stage Combat. The question that keeps rolling around in my head is a combination of these elements: There is more to art than aesthetics or technique Other arts are appreciated both in isolation and as an element of theatre/film (dance, singing,…
What's good for kids, especially your little actors? Why is the stage combat course age 16 and up? Physical, Mental and Emotional I do not have offspring, but I do have an opinion about how they should be raised. Maybe I should rethink this entire post. No, I have too many requests for kids' classes…
The official announcements are out. Our stage combat instructor David McCormick is slated to teach Basic level Sword at this year's Fight Directors Canada National Workshop. It will be held in Montreal, at Concordia University. Here's the official news: Fight Directors Canada in association with the Concordia University Department of Theatre Presents The 2013 National…
The Hero Sword A work of art. Any closeup of a sword in Lord of the Rings was a Hero Sword. Hero weapons are frequently made of stainless steel for its shine. Like your cookware, stainless steel will keep an edge well, but it's brittle. That means that hitting them can cause them to shatter…
Victim control. It is an essential element of stage combat, but often misunderstood, and more often performed badly. It means that when there is physical contact between two actors, the apparent victim is in charge. This principle applies to pushes, pulls, grabs, strangulation, hair pulls, and most falls and throws. Tyler Durdan Take a lesson…
We say that the first rule of stage combat is safety. All stage combat must be safe so that actors will never be hurt in rehearsal or performance. Focusing on safety also gives actors the confidence to move at high speed with full acting. When safety is deprioritized, actors start to flinch or otherwise compensate.…
Stanislavski's primary book on Method Acting is called "An Actor Prepares," which points to the central question: How to be an actor? In one sense, what he's saying is: "Don't neglect rehearsal. You can't control what happens on stage and you can't rely on your raw talent in the moment to save every show. A…
How do I choreograph a fight scene? To me, the question is the same as "How do I put on a magic show?" We're going to ignore issues of your venue, your lighting and backstage capabilities, the number of people to help you, and the critical props (in our case, weapons). We'll assume: You have…
I just watched The Raid: Redemption (and I thought colons were only used for sequels, silly me!) which is a film that was hyped in martial arts cinema, and fits in the sub-genre of "Take The Castle". It's a fun genre. Troy is an excellent example: fortified city, army within besieged by an army without.…
Taking inspiration from Major Wes' post on this very blog called Staged Sword Press, let's talk about competitive stage combat. Art Contests In sporting competition, there is obvious scoring with the ball kicked across a line, or touches with a sword tip. Artistic expression has its own competitions, but they must be scored by a…
I just read an article by Isaac Butler on the difference between amateur and professional theatre in the USA. It was inspired by a blog post about the same topic in photography. In the era of cheap(er) high quality cameras and Photoshop, the quality of the amateur's work is often comparable to professionals, and so…
The Fight Director will arrange or choreograph a fight for specific actors on a specific stage. This is an important aspect of safety, because setting choreography early and repeating it often in rehearsal will give actors the consistency and confidence to perform safely in front of an audience. The better they feel about the safety,…