SLOs: Sword Like Objects

No matter how much fun you're having, foam swords are not swords. Wasters, Foils, and S(word)L(ike)O(objects)s Sword simulators, specifically for longsword and arming/side sword, fall into three categories: wood, synthetic, and steel. There are, of course, some gray areas that don't fall directly into these categories, such as bamboo trainers built around some manner of…

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Boxing on Stage with Sordelet

Here's an excerpt from Ring of Truth: In Studio Theatre’s Sucker Punch, the Sweet Science Is an Art by Chris Klimek   Roy Williams’ script sketches most of its fights lightly, using only few words of stage direction. Not until the climactic bout does the 44-year-old British playwright offer a round-by-round prescription of how goes the war.…

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Academie Duello to be featured in a documentary at the Women In Film festival on March 10th

Academie Duello has the honour of being featured in a documentary by filmmaker Tatiana Balashova that will be screened at the upcoming Women in Film Festival at the Vancity Theatre on March 10th. From their program:   ARTE, ARDORE, ONORE: THE WORLD OF SWORDPLAY | 10:00 mins 2011, Canada, directed by Tatiana Balashova   Arte,…

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Fantasy and Practical Stage Armour

Armour serves two purposes, as does most clothing: protection and fashion. On stage and in film, if you can see the armour, it's for fashion, and if you can't, then it's for protection. The Illusion of Practicality From the blindingly reflective plate on Zeus to the leather scraps on orcs, armour should match the character…

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Stage Combat Priorities 2: Style and Expertise

The overall goal of stage combat, as we discussed in episode 0: The Illusion of Violence, is creating a violent scene that is safe for the actor and believable to the audience in the context of the show. Last time, we broke down some of the ways in which our first priority, Safety, plays out…

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