Blood adds horror. That's the single reason to add a blood effect to a death scene. So, the only creative question in whether to consider a blood effect is: does this scene need more horror? In Romeo and Juliet, for example, do we need Mercutio's death to be horrific? I'd say yes. Do we need…
When you think of Shakespeare, you might first conjure up Romeo & Juliet and remember "The Bard" for his poetry. You might have had a bad experience in high school and remember how boring Shakespeare is with so many Histories and discuss why it's important or not to know the King's names in the Wars…
In the article linked below, Paul Dennhardt, a theatre professor at the College of Fine Arts of Illinois State University, explains important aspects of stage combat that should be understood by everyone in theatre by now. Sadly, most productions still don’t know where to begin with a sword fight, or what the process involves, but…
It is the time of year for outdoor theatre, and there are Shakespeare in the park productions in every major city in the world. But it is also the start of the season for the finest Shakespeare performed indoors, and this is your guide to the tops of the 2012 season (by reputation) Bard on…
The art of dying is dying, according to a recent article on NPR: Now 69, Fukumoto recalls landing his first job in the movies as a stuntman and extra with Toei studios in 1959. "When I was younger, our studio had some 400 stuntmen and extras," he remembers. "I wanted to stand out. I…
Most actors learn stage combat for a specific role while in rehearsal. My belief that every performer before leaving acting school should have Basic Actor-Combatant certification with Fight Directors Canada does not have widespread support. Therefore, the majority of actors already have a scene to fight to. But actors who are taking the full stage…